Tess
Davies

Death of one child, the life of another

Pacing

One warm small body in arms
 the other - cold - away up the stairs.
 The scrubby garden and the shed, where the cat
 had gone to die days earlier, just about summed it up
 as he went about the darkest art of all.

He was a small old-crow-of-a-man
 slipping through the front door with the tools of his trade
 shrouded in secrecy; Dickensian, one who might follow
 behind a horse-drawn hearse-coach
 the cocky feathered horse’s heads bouncing almost jauntily
 but for the slow-pacers at the back in top hats.

But pacing was a distraction, a handy device,
 it’s rhythm stilling an unquiet mind full of disbelief -
 could the zipping of the bag (a binbag but for the zip)
 really be heard down in the scrub?
 Or did that come later, conjured by memory?
 -
 And how can a mind be still under such circumstances?
 Well, the pacing came in handy,
 it was life continuing, cruel - yes,
 against everyone’s better judgement - yes but so it goes
 and the small warm baby-sister body.

There was a space after the last breath
 as there always is, as there is when birth is achieved, the labour done;
 a space when stillness is allowed,
 a suspended space through which, perhaps,
 a soul can slip in or out unimpeded by disbelief or lamentations,
 the business of living - the ministrations of butcher, baker or undertaker

and in that space it is all beautiful,
 it lasts no longer than - who can say how long,
 a few seconds?
 Perhaps a half hour if some unlikely luck is in the room
 and it takes some grace and pacing to find it again

a bit of pacing and some grace to find it again.

 

Straight after the death of a child, how a living child comforts the mother